Levitt’s Free Summer Series
Sunday, August 21st, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP opens July 21st at 10am

Slim Cessna’s Auto Club

Wallace Stenger may have captured the spirit of the west in his 1971 novel Angle of Repose. Jim Thompson surely exposed the lurid underbelly of the Western experience. Cormac McCarthy definitely evoked the conflicted, tortured spirit of small town life on the frontier. William Faulkner and Flannery O'Connor informed all of them with a humor and soulfulness. It is that literary tradition that imbues the harrowing and celebratory sound and riveting stories of Slim Cessna's Auto Club. Throughout its long and illustrious history, it is largely in that realm of art that the Auto Club reveled and garnered a loyal cult following well beyond the boundaries of The Queen City of the Plains.

Slim Cessna's Auto Club was originally formed in 1992 in Denver, Colorado by its namesake after he parted ways with The Denver Gentlemen, that grand progenitor of the peculiar strain of Gothic Americana unique to the Mile High City that also featured Jeffrey-Paul and David Eugene Edwards who’d go on to form 16 Horsepower, the latter then founding Wovenhand.  Slim’s longest running collaborators in the Auto Club have been Munly Munly and Lord Dwight Pentacost who’ve contributed both material and affected the ensemble’s stylistic vision. More recently there’ve been greater creative contributions from longtime collaborator Rebecca Vera, drummer Andrew Warner and now the inclusion of Slim’s son George Cessna on bass.

In 2016, the band released it’s most current  album after a five-year hiatus The Commandments According to SCAC.  The album encompassed both the heady darkness and celebratory intensity with which the group made its name.  That charmingly dusky and spare sound breathed with a new color and delicacy of feeling that perhaps sat in the background in times past . The Commandments According to SCAC, was the first full length album of original material released on the Auto Club's own imprint, SCACUNINCORPORATED. The title evokes the themes of cosmic punishment and redemption that have served the band's songwriting engine so well in the past. But this set of songs sounds more hopeful and expansive, a quality that was always there but this time out the brighter sides of the songwriting are emphasized. Hints of this saw early full-flown expression on 2008's Cipher and Unentitled from 2011. With The Commandments, however, the Auto Club seems to step forward into the promise of its own possibilities. It remains capable of the heady darkness and celebratory intensity with which it made its name. Now that charmingly dusky and spare sound breathes with a color and delicacy of feeling that perhaps sat in the background in times past. Maybe it's partly due to the greater creative contributions from longtime collaborator Rebecca Vera; the core of the band's songwriting and sound has always been anchored firmly in the vision of Slim, Munly Munly and Lord Dwight Pentacost.

Slim Cessna's Auto Club also  re-released  their fourth album Cipher on June 2, 2018. This re-issue will be a double vinyl LP in a gatefold sleeve. Originally released in 2008, Cipher is the most cohesive SCAC album but also the most mysterious. Cipher is a deliberate puzzle loaded with coded language. The idea that braces are used to straighten crooked humanity provides a structure, but this code rewards effort to unpack the many messages it contains; many more relevant now than ever. Compared to its predecessors, this set of songs sounds more hopeful and expansive, a quality that was always there but this time out the brighter sides of the songwriting were emphasized. 

When you get to see the Auto Club live, you'll see an already mighty band reinvigorated by a new spirit of excitement as well as by the fire that has long burned in its collective belly.

Levitt’s Free Summer Series
Thursday, August 18th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP opens July 21st at 10am

Ginga

Cultivated in Boulder, Colorado and composed of some of the best jazz, classical and salsa musicians on the Front Range, Ginga is THE powerhouse Brazilian band in Colorado. They can bring an audience to a quiet purr with a sultry Bossa Nova or blow the roof off the evening with a full blown Carnaval style samba dance party.

The seven members of the band are Francisco Marques (cavaquinho, bass, percussion, vocals), Greg LaLiberte (flute, saxophones, percussion, vocals), Bill McCrossen (bass), Bill Kopper (acoustic 6 & 7 string guitars, electric guitar, vocals), Raoul Rossiter (drums, percussion, vocals), Carl Dixon (percussion, vocals), and Vincent Gonzalez (percussion, vocals).

Whether it’s the magnetizing pulse of a samba groove, the alluring dancing that accompanies or the sheer joy that is infused at every show, Ginga specializes in bringing people together to have a good time.

At any given Ginga show you might:

• Hear many different Brazilian musical styles in one night

• Walk in to find a dance lesson in session and learn your first steps

• Find the bar serving traditional caipirinhas

• Meet incredible people and make new friends

You will:

• Enjoy yourself and leave with a smile on your face

• Dance until your legs are buzzing or you are dripping with sweat

• Be back for more!

Levitt’s Free Summer Series
Saturday July 16th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens June 16th at 10am

Mo Lowda and the Humble

Mo Lowda and the Humble is set to hit the road again this Summer/Fall after having to postpone the ‘Ready Coatʼ album release tour for more than a year due to Covid. The latest album, 'Ready Coat' came into existence after the decision to add a touring member enabled the band to expand its sonic ability. This opportunity to stretch the band's sound and add elements which would have previously been impossible to play live, enabled them to self-produce, engineer, and mix a record without considering limitations. There are absolutely no words to express the bandʼs anticipation and excitement for finally being able to play these new songs (as well as many, many others) live on tour. Get your tickets today!

Levitt’s Free Summer Series
Friday, July 15th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens June 16th at 10am

Drive By Truckers

DBT is finally back on the road after the year and half pandemic lockdown. Just in time to celebrate our 25th birthday.

The band had just released its 12th studio album in January 2020. The Unraveling was mostly recorded in Memphis at Sam Phillips Recording Service – nine new songs detailing the horrific state of MAGA America in songs that addressed white supremacy, school shootings and the opioid crisis.

The album earned excellent reviews (including later being named “Album of the Year” by Rolling Stone in France) and we set out on the road playing shows up the east coast including NYC, Boston and DC. Unfortunately, the pandemic happened and we only completed one three-week leg of what was supposed to be a 15-month tour.

In lockdown, we all did what we could. Cooley, Jay and I played numerous virtual shows from our respective homes. Matt Patton built up his already successful studio (Dial Back Sound in Water Valley, MS) and album productions including acclaimed records from Bette Smith and Jimbo Mathus. Jay Gonzalez released his third excellent solo album Back to the Hive.

I wrote two new songs inspired by the BLM protests occurring around the country and the federal occupation of my adopted hometown of Portland, OR. We combined them with some tracks we had already recorded in Memphis and released The New OK.

Its nine songs picked up where The Unraveling had left off, continuing the themes of an unraveling country, but also breaking away on a more personal front. It included the title cut single (which had a very moving video centered on the Portland protests) and the song “Tough To Let Go” which displayed a poppier side of the band than is usually mentioned. It got stellar reviews and ended up in UNCUT Magazine’s Top 5 at the end of the year. 

With the lockdown ending and shows starting up again, DBT is excited to reactivate in a big way. I have solo dates, Cooley and I are going out to play some Dimmer Twin dates including three shows in NYC and an appearance at the Newport Folk Festival.  DBT will begin playing out in late July with a full-on tour beginning in August that will take us across the USA and our long delayed UK/European Tour next spring.

DBT will also begin work on our 14th studio album; one that should take us in some new directions. On tour, we‘ll be playing songs from all of our albums as well as surely premiering some new ones. As usual, we won’t be using a set list so anything goes.

Turn it up loud and see you at the Rock and Roll Show,

Patterson Hood

(DBT)

Levitt’s Free Summer Series
Thursday, July 14th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens June 16th at 10am

Jessica Lea Mayfield

Today Jessica Lea Mayfield shares the self-directed video for “Emotional Abandonment”, starring herself and her dog Yoshi. The visual follows Mayfield and Yoshi as they get evicted and have to come up with a strange plan to secure a forever home. You can watch here.

Jessica Lea Mayfield has announced her sixth album as a series of two song increments on 7 inch multi color vinyls. The first two songs “Emotional Abandonment” and “Daddy Boyfriend” can be heard here. She also shares the animated video for “Daddy Boyfriend” by NYC artist Abby Jame. You can watch here.

Mayfield on 7 inch series:

“I wanted to give my audience something special to look to forward too, so I’ve decided this next album will be released in 2 song increments on 7 inch multi color vinyls. Quarantine gave me a unique opportunity that I’ve always wanted, which was to do everything myself, from playing all the instruments, to engineering and producing. This album is 100% my weird little baby. I’m still writing about tough topics and using songwriting as a way to purge my feelings. My last album was my first words with my head above the water, singing about who I wanted to be and what I deserved. this new project documents acting out those hopes for myself, my healing process, gaining strength and wisdom through recent tragedies, and the grieving process of breaking things off with toxic family members and living out the childhood I missed out on now as an adult. I’m hoping that you will relate to these songs in some way, and they will be as healing for you as they were for me to write.”

More info on Jessica Lea Mayfield:

Mayfield first performed with her family bluegrass band One Way Rider at the age of 8. They began touring as a family band, boarding a 1956 tour bus (once belonging to Bill Monroe, Kitty Wells, and Ernest Tubb) and headed south from Ohio to Tennessee. At age 11, Mayfield began playing guitar and writing songs.

At age 15, Mayfield recorded her first album White Lies under the moniker “Chittlin’”, printing only a few hundred copies. One of those copies fell into the hands of Dan Auerbach of The Black Keys. After an introduction, Mayfield and Auerbach hit the studio, laying the foundation of her debut album With Blasphemy So Heartfelt. Pitchfork Media gave the record a rating of 8.2 out of 10. Online magazine Blurt named the record the Best Album of 2008 and gave Mayfield the title of Best New Artist of 2008.

Her latest record, ‘Sorry is Gone’ was released in 2017 and detailed her years of quietly enduring domestic abuse by her then-husband.

DespAIR Jordan

despAIR Jordan's members have been kicking around the Denver music scene for the better part of two decades. Formed from the ashes of rowdier bands like Sleeper Horse, Tin Horn Prayer and Sugar Skulls and Marigolds, despAIR Jordan is a mature and seasoned retelling of a story its members have spent years crafting. It's debut album "Before Your Wings Gave Out" combines post punk sensibilities with post hardcore volume to create a sound that is earnest, sincere and triumphant.



Levitt National Tour Presents: The New Respects
Wednesday July 13th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens June 16th at 10am

The New Respects

The 2022 Levitt National Tour presents rising stars and family affair The New Respects, for an electrifying evening of danceable fusions of pop, soul and rock & roll. The band is turning heads with their bright, feel-good tracks stacked with propulsive beats and lush harmonies. Hailing from Nashville, Zandy Mowry lays down the group’s funk-inspired grooves on guitar, her brother Darius Fitzgerald drives the beat with his retro rhythms and their cousin Jasmine Mullen brings it all together with soaring lead vocals.  

Having performed together since their youth, the 20-something trio uplifts audiences with their playful, energetic and familiar vibe. As the daughter of two songwriters—including award-winning gospel singer-songwriter Nicole. C. Mullen—lead vocalist Jasmine Mullen began developing her songwriting prowess as a young child. As high schoolers, the coed cousins toured as background dancers for Mullen’s mother and formed the first iteration of The New Respects, a folk/indie-rock band called the John Hancock Band. After growing up on a steady musical diet of gospel and The Jackson 5, the Fitzgerald siblings joined Mullen in exploring a wide range of musical styles as they entered adulthood, drawing inspiration from artists like Aretha Franklin, The Rolling Stones and The Beatles as they shaped the eclectic sound of their new band. 

Filled with catchy hooks and fresh throwback-inspired grooves, the group’s debut 5-song EP Here Comes Trouble (2017) launched them into the national spotlight as Rolling Stone named them one of “10 New Artists You Need to Know.” Quickly gaining traction with fans and critics alike, the EP’s standout single, “Trouble” garnered over 2M streams and received sync placements with Fox Sports, ESPN and TNT. On the heels of their success, The New Respects embraced an aggressive touring schedule, opening for Switchfoot, Robert Randolph, O.A.R., and NEEDTOBREATHE, and making appearances at key festivals such as Hangout, Bumbershoot and Rock the Ranch. The group’s star only continued to rise after releasing their 2018 album Before the Sun Goes Down to critical acclaim. With touring halted during the pandemic, The New Respects worked on new music and recently released their first acoustic EP, Don’t Panic (2022) featuring spiritual inspirations to hold onto hope and love during times of uncertainty. 

Levitt National Tour audiences are in for an unforgettable evening that’s equal parts eclectic and electric featuring fan favorites “No Drama,” “Freedom,” and “What Makes the World,” plus the debut of new music from their upcoming album this summer! And those eager to experience a taste of The New Respects before the Levitt National Tour can check out their music, including current EP Don’t Panic, on their Spotify channel.

Levitt’s Free Summer Series
Sunday, July 10th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens June 9th at 10am

The Reverend Peyton’s Big Damn Band

NASHVILLE, Tenn. — The new album from Reverend Peyton’s Big Damn Band was written by candlelight and then recorded using the best technology available . . . in the 1950s.

But listeners won’t find another album as relevant, electrifying and timely as Dance Songs for Hard Times.

Scheduled for independent release April 9, 2021 via Thirty Tigers, Dance Songs for Hard Times conveys the hopes and fears of pandemic living. Rev. Peyton, the Big Damn Band’s vocalist and world-class fingerstyle guitarist, details bleak financial challenges on the songs “Ways and Means” and “Dirty Hustlin’.” He pines for in-person reunions with loved ones on “No Tellin’ When,” and he pleads for celestial relief on the album-closing “Come Down Angels.”

Far from a depressing listen, Dance Songs lives up to its name by delivering action-packed riffs and rhythms across 11 songs. The country blues trio that won over crowds on more than one Warped Tour knows how to make an audience move.

“I like songs that sound happy but are actually very sad,” Peyton says. “I don’t know why it is, but I just do.”

Of course, the greatest front-porch blues band in the world found itself sidelined from a relentless touring schedule because of the coronavirus pandemic. Peyton says he was surprised when his mind and soul unleashed a batch of new songs in March and April of 2020.

“I think it was the stress of everything,” he says. “At the time, we were watching everything we know crash down. I didn’t know what was going to happen with our career, with our house, with food, with anything.”

Peyton wasn’t alone in uncertainty. It’s a feeling that gripped the world. Added to Peyton’s concerns were a lingering illness — perhaps undiagnosed COVID-19 — affecting “Washboard” Breezy Peyton, his wife and Big Damn Band member, as well as a cancer diagnosis for his father. A metaphorical wallop arrived when unpredictable weather in the rustic wilds of Southern Indiana knocked out power at the Peytons’ 150-year-old log cabin. For multiple days.

While Breezy rested and recovered, Peyton crafted songs in near darkness.

“It’s been a struggle the entire time,” he says. “Nothing’s been easy. Other than the music. The music came easy.” 

“Too Cool to Dance” might be interpreted as the album’s centerpiece for its message of not taking things for granted. The seize-the-moment anthem offers the chorus, “We may not get another chance. Oh, please don’t tell me you’re too cool to dance.”

“I was thinking about all the times where I’ve been somewhere and felt too cool to dance,” Peyton says. “I didn’t want to be that way. Not being able to do anything last year, I had this feeling of, ‘Man, I’m not going to waste any moment like this in my life — ever.’ ”

Peyton, the cover subject of Vintage Guitar magazine’s January 2020 issue, showcases his remarkable picking techniques on “Too Cool to Dance.” It’s rare to hear a fingerstyle player attack Chuck Berry-inspired licks with index, middle and ring fingers while devoting his or her thumb to a bass line. Yet the multi-tasking Peyton has made an art of giving the illusion he’s being accompanied by a bass player, despite the Big Damn Band’s roster featuring no one beyond himself, Breezy on washboard and Max Senteney on drums.

“Too Cool to Dance” heats up thanks to Peyton’s 1954 Supro Dual Tone electric guitar. Once known exclusively for playing acoustic guitar in the country-blues tradition of Mississippi icons Charley Patton and Bukka White, Peyton has seemingly migrated north and plugged in with Chicago giants Howlin’ Wolf and Muddy Waters.

“It’s crazy,” Peyton says of “Too Cool to Dance.” “It almost feels like a song from the 1950s that’s been lost. At the end of the day, it still somehow feels like us.”

To document the livewire immediacy of Dance Songs for Hard Times, the Big Damn Band — including a healthy Breezy — made a pandemic road trip to Nashville to record with producer Vance Powell (four-time Grammy Award winner whose resume includes work with Chris Stapleton and Jack White).

Peyton embraced Powell’s suggestion to turn back the clock and record no more than eight tracks of audio to analog tape. Minimal overdubs are heard on Dance Songs for Hard Times, and Peyton sang while playing guitar live in the studio.

“Vance likes the gear that I like,” Peyton says. “And he has a bunch of cool gear I would only have in my wildest dreams.”

Visually, Dance Songs for Hard Times is led by a video to accompany the song “Ways and Means.” Defined by pastel colors and confident dance moves, the video was made at an old-school laundromat to match the song’s Bo Diddley-boasting on a limited budget: “My knife is sharp, my guitar never flat … king of the laundromat.”

As Peyton says, it’s difficult to create blues music that isn’t personal.

“The song ‘Ways and Means’ was written for all those folks who have the moves, the style, the substance, the talent, but maybe not the seed money or the famous last name,” Peyton says. “All those people who had to work extra hard because they didn’t get to start way ahead. Folks who have been playing catch-up since they were born and had to get really good just to make it to zero.”

As 2020 progressed, Peyton’s father was declared free of cancer following surgery. A new Patreon page (http://www.Patreon.com/bigdamnband) helped the band connect with fans and make up some lost wages.

And Big Damn Band supporters around the world check in monthly for pay-what-you-can livestream performances that originate at the Peytons’ log cabin.

Conditions aren’t ideal when compared to pre-pandemic adventures that allowed the Big Damn Band to play for audiences in nearly 40 countries. But those days will return, and in the meantime we have Dance Songs for Hard Times.

“Despite the hardships of this moment in history, it created this music that I hope will maybe help some people through it,” Peyton says. “Because it helps me through it to play it.”

REVEREND PEYTON’S BIG DAMN BAND FINDS REDEMPTION IN

ITS DARKEST HOUR WITH NEW ALBUM, DANCE SONGS FOR HARD TIMES,

SET FOR APRIL 9, 2021 RELEASE THROUGH THIRTY TIGERS.

Produced by Vance Powell (four-time Grammy Award winner,

 veteran of Chris Stapleton and Jack White). 

Premiere single and video is “Ways and Means,” out February 9.

Reverend Peyton’s Big Damn Band nominated for Blues Music Award (their second) 

for Best Blues Rock Artist

The Claudettes

The Claudettes fuse Chicago piano blues with the full-throttle energy of rockabilly and punk and the sultriness of ’60s soul to write a thrilling new chapter in American roots music. Johnny Iguana pounds the piano alongside seductive singer Berit Ulseth, bassist/guitarist/singer Zach Verdoorn and drummer Michael Caskey. Johnny, who toured for years with his cult-favorite rock band oh my god, is also in the Grammy-nominated groups Chicago Blues: A Living History and the Muddy Waters 100 Band. He has toured/recorded with Junior Wells, Buddy Guy, Otis Rush and more and played piano on the Chicago Plays the Stones album featuring Mick Jagger, Keith Richards and Buddy Guy. The Claudettes recorded their 2018 album “DANCE SCANDAL AT THE GYMNASIUM!” with Grammy-winning Black Keys producer Mark Neill and have recorded a new album with Grammy-winning producer Ted Hutt (Old Crow Medicine Show, Gaslight Anthem, The Devil Makes Three). This album, “High Times in the Dark,” came out April 3, 2020 on Forty Below Records. Copious press here!

Levitt’s Free Summer Series
Friday, July 8th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens June 9th at 10am

The Suffers

There is a contagious and combustible energy every time the eight-piece band The Suffers steps on the scene. NPR's Bob Boilen attributes the band's allure to their "Soul, straight from horn to heart." He adds, "This band is on fire when it's in front of an audience...but the intensity of their shows are also captured in the studio." Following The Suffers' electrifying late night TV debut on Letterman in 2015, David Letterman exclaimed, "If you can't do this, get out of the business!" There is something undeniable about The Suffers (whose name is a reference to the 1978 Jamaican film Rockers starring Leroy "Horsemouth" Wallace, Jacob Miller and Burning Spear, among others), that instantly hits home with their audiences. "We make music for all people," says lead vocalist Kam Franklin. "At this point, we've played all over the world and one thing is certain - if the music is good, the people will enjoy it." Since 2011, the H-Town heroes have been on a steady grind and have no plans of stopping.

The Suffers exploded onto the scene in 2015 with their dazzling EP Make Some Room, which was followed by their critically heralded self-titled debut in 2016. The Suffers’ released their latest record Everything Here on Shanachie Records July 13, 2018. Everything Here is the band’s most bold statement yet.  Lead Singer Kam Franklin states, “Our hope is that our fans walk away feeling empowered, resilient, and inspired to live a better life.”

Guitarist Kevin Bernier says, "Everything Here, as a whole, explores the many aspects of who we are as people through songs. We've had crushes on people, we've had our hearts broken, and we've moved through all the difficult times so that we can experience the joyful moments." The Suffers have got everything you need and there's no need to look further - a heaping dose of soul, a dash of reggae, a splash of jazz, a pinch of salsa, a hint of rock 'n' roll and a dollop of hip hop and funk - and that is just a few ingredients simmering inside their magical Gulf Coast soul. 

 “Houston has played a huge part in making me who I am and introducing our music to the masses, and for that, we are forever grateful.” The Suffers have played sold out shows in Japan and Latin America, turned out audiences at the Newport Folk Festival and Afropunk Festival and made believers of just about anyone who has experienced their live shows. "We're a testament to teamwork and camaraderie resulting in things working out even when the odds are against a positive outcome," says drummer Nick Zamora. "The wonderful thing about music is that it is ultimate universal communication," reflects trumpeter Jon Durbin.

The band is working on their highly anticipated follow up to Everything Here, and will release new music in the Fall of 2021.

Adiel Mitchell

Adiel Mitchell is a Denver-based songwriter who headlined shows alongside Bishop Briggs, Amber Mark, Tone Stith, and Neoma. Inspired by the sounds of New Jack Swing and old school R&B, Adiel refreshes the lush moods of contemporary Pop and thickens the groove with distinctly soulful vocals. 303 Magazine hailed him as "a seasoned and multifaceted performer," with "silky smooth vocals that effortlessly body the R&B grooves he churns out." Using his skills as a trained dancer and live instrumentalist (especially noteworthy in the world of pop synthesizers), Mitchell's live shows are pleasantly dynamic. With each unique performance he captivates his audience, immersing the crowd in a positive, feel-good experience while carefully balancing pop nostalgia with forward-thinking musical sensibilities. The songwriter’s signature buoyant vibe carries him afloat across a sea of complicated, sorrow-flavored anti-pop. He's written over 150 original songs and maintains his position comfortably amid radio-friendly hits and the broody rhythm & blues. Between recording music, headlining festivals, and several national commercial acting roles, Mitchell is someone to watch.

Levitt’s Free Summer Series
Saturday, July 2nd, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens June 2nd at 10am

Shakedown Street

For over 30 years, Shakedown Street has been performing the immense catalog of the Grateful Dead. The ever-shifting repertoire draws from homegrown idioms steeped in traditional Americana, folk, blues, jazz, and rock and roll, with a healthy dose of the avant-garde. Dig deeper into the songs, their storylines, and the characters inhabiting them, and you’ll find enduring tales of murder and intrigue, gamblers and thieves, sinners and saints, tales of everyman, mythic and surreal, blue-collar rhapsodies in a kaleidoscopic tapestry awash in color, sound, and light.

Shakedown Street’s own story finds them continuing to play to enthusiastic sold-out audiences, while marching up and down, going around and around their beloved home in the mountains of Colorado. The band happily finds itself in the trusted role of connecting past, present and future Grateful Dead fans with the vital and vibrant energies of improvisational live music. Endlessly fun, exciting, dramatic, uplifting, inspirational. The band and audience in concert. A reset for the soul!

Levitt’s Free Summer Series
Sunday June 19th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 19th at 10am

Levitt’s Free Summer Series
Saturday, June 18th, 2022
All Ages | Rain or Shine
GA Doors Open: 2:00 PM | Show Start: 3:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 19th at 10am

iZCALLI

RETI Rock En Tu Idioma LLC is proud to present iZCALLi’s New Album: REBIRTH at Levitt Pavilion Denver June 18th 2022. To create a true celebration of musical and cultural renaissance in the heart of Denver the festival features a diverse lineup of artists/musicians that will mesmerize all in attendance, featuring:

iZCALLi

CITRA

EL CRO

2MX2

Puente Libre

Katiria

+Special Guest

The festival will also feature collaborations with artisans and vendors representative of the hispanic community in Colorado, with the goal of blending the lines between different cultures, musical genres, artistic styles to create a one of a kind authentic cultural experience.

For information about iZCALLi’s new upcoming album: Rebirth, and the Album Release Festival at Levitt, visit www.izcallirock.com

Levitt’s Free Summer Series
Wednesday, June 15th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 12th at 10am

Femi Kuti and the Positive Force

The indefatigable Femi Kuti never stops presenting his dynamic and colorful shows and committed political messages, whether from his iconic New Afrika Shrine in Lagos, or from all kinds of world stages and venues.

2021 allowed him to release the double album, Legacy + on Partisan Records which was so dear to his heart. This box set containing his latest album "Stop The Hate”, together with the very first album "For (e) ward" from his eldest son Made Kuti.

Stop The Hate, radiates the unique Afrobeat sound that Femi has forged throughout his long career, affirming his sharply political convictions.

The song “PaPaPa” and this album which received rave reviews from the most cutting-edge and prestigious international media, has nominated at the 2022 Grammy Awards! Femi can’t stop giving his long shows in front of his Lagos-addicted audience who always ask for more!

On May 2017 he was referred to in the Guinness world records with a single note held on a sax and set this records at 51 min 35 seconds. It can sometimes be difficult to understand where he draws his energy as the countless fights for social justice he carries out are exhausting. Fortunately, he met up with partners such as Global Citizen who defends the same causes and who recently broadcast his concert from The New Afrika Shrine as part of the 24-hour global concert they gave to the entire planet in September 2021. Throughout the last few years, we have been able to watch Femi Kuti perform live from Cairo's stadium in front of millions of viewers, singing the official song of the African Cup of Nations, or hear him programmed alongside Jay-Z, Beyoncé and Ed Sheeran, while also seeing his name alongside heavyweights from the new Nigerian scene such as Davido, Tiwa Savage or Wizkid ... Femi is widely in demand for many collaborations and that's how we were able to listen him on such different projects with Coldplay, the electro music producer Robert Hood, or the French Hip Hop band IAM.

For the happiness of all, Femi and his troupe, The Positive Force, plan to travel the world throughout the year 2022 with their new show, promoting Africa at its best and promising breathtaking performance, full of surprises. Femi Kuti grew up in Lagos, Nigeria, where at 15, he started playing saxophone in his father, Fela's band, Egypt 80. He was thrown in the deep end when having to replace Fela as head of the band when Fela was arrested at the airport and jailed just before starting a US tour. From that day on he’s never looked back. In 1986 Femi formed his own band ”The Positive Force”. His first record was released in 1995 by Tabu/Motown, and has followed a long journey since where he continues to expand the diversity of his artistry on most of his albums and has received now received a total of six Grammy nominations after having released a dozen albums. In 1998, to honour his Father, he opened the “New Afrika Shrine” where the famous seven-day ‘Felabration” festival now takes place every year, around Fela’s October 15 birthday.

Levitt’s Free Summer Series
Sunday, June 12th, 2022
All Ages | Rain or Shine
GA Doors Open: 4:00 PM | Show Start: 5:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 12th at 10am

Kutandara

Kutandara fuses ancient African music traditions with indie-pop, rock, jazz, gospel, classical, and world folk influences. Their exuberant and hi-energy polyrhythmic performances manage to be innovative and deeply-rooted at the same time. Kutandara means to come together and have a good time, which is the group’s purpose as they exchange energy of music and movement with their audiences. Kutandara has performed at the Boulder and Aggie Theaters, Boulder Creek Festival, Colorado Performing Arts Festival, and many other festivals and concert series around the front range.

Kutandara Kombi
3 marimbas, electric mbira, drum set, hosho, guitar, vocals
Kutandara Kombi is our “little” band (just like a kombi is a little bus…or mini van…in developing countries). Our footprint is smaller, our instrumentation is scaled down, but you won’t miss the big sound. Audiences will hear drum set, electric mbira, guitar, electric bass, and percussion along with a 3-piece marimba trio in a Kutandara Kombi concert. Kutandara Kombi plays a mix of traditional Shona mbira tunes, contemporary Zimbabwean pop songs, and an eclectic variety of current top forty jams.

Kutandara Marimba
7 marimbas…straight up!
Kutandara Marimba is our professional 7-piece marimba House Band, including bass, baritone, tenor, alto, and soprano marimbas. The sound is pure marimba, as it is taught and performed in Zimbabwe. This is our signature marimba band! If marimba is the sound you are looking for, Kutandara Marimba is your band!

Kutandara Marimba Experience
7 marimbas, drum set, hosho, vocals…and more!
Kutandara Marimba Experience is our biggest sound, with a stage full of musicians. Audiences will hear drum set, electric mbira, guitar, electric bass, and percussion along with the 7-piece marimba orchestra in a Kutandara Marimba Experience concert. You never know what will happen!

Maputo Mensah and Logo Ligi

Under the creative direction of master drummer and dancer Maputo Mensah, Logo Ligi is a Colorado-based West African drum and dance troupe dedicated to celebrating the style and spirit of traditional West African performance art. Logo Ligi seeks to increase the awareness of a global community by sharing this traditional form of music and dance.

Using the spiritual language of drum and dance, Logo Ligi creates new avenues of communication, bringing to communities a profound cross-cultural learning experience, and a new understanding of the beauty in our world. The name of the group comes from the Ghanaian language of Ga, and translates as ‘to tickle, play or excite’ – and Logo Ligi performances do just that. In performance, Logo Ligi creates life-giving energy that permeates audience members and participants to the very core of their being. By sharing the contagious rhythms, celebratory songs, and exhilarating dances of West Africa, Logo Ligi is sure to inspire and invigorate you.

It is our intention to increase the awareness of a global community through artistic expression. More now than ever we find ourselves trying to blur the barriers of culture segregation through exploring the beauty, similarities and knowledge that exists in many cultures. Among-st the diversity we can unite in a world community.

THIS SHOW HAS PAST

CALEXICO RETURNS TO LEVITT FOR A TICKETED SHOW JUNE 1 2024

Levitt’s Free Summer Series
Saturday, June 11th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 12th at 10am

Calexico

Calexico's Joey Burns and John Convertino return in 2022 with their luminous 10th studio album, El Mirador; a hopeful, kaleidoscopic beacon of rock, bluesy ruminations and Latin American sounds, to be released on April 8. Convening at longtime bandmate Sergio Mendoza's home studio in Tucson, Arizona, the ensemble recorded throughout the summer of 2021, crafting one of their most riveting and whimsical productions to date. Convertino, who now resides in El Paso, and Burns, who relocated to Boise in 2020, channeled cherished memories of Southwestern landscapes and joyful barrio melting pots into an evocative love letter to the desert borderlands that nourished them for over 20 years. “El Mirador is dedicated to family, friends and community,” says Burns; singer, multi-instrumentalist and co-founder of Calexico. “The pandemic highlighted all the ways we need each other, and music happens to be my way of building bridges and encouraging inclusiveness and positivity. That comes along with sadness and melancholy, but music sparks change and movement.”

Oscillating between haunting desert noirs and buoyant jolts of cumbia and Cuban son, the album is permeated by longing. The title track conjures images of a lighthouse, beckoning to lost souls in the night with hypnotic bass lines and cascading percussion. That same search for meaning and safety carries over onto “Cumbia Peninsula,” a soaring dance floor epic about confronting our fear of the unknown. The song weaves themes of immigration, a world in turmoil, and the virulent manipulation of information; never offering a diagnosis but wholeheartedly advocating for unity and compassion as a treatment for our social ills. “El Mirador” features gossamer vocals from Guatemalan singer-songwriter Gaby Moreno, while Spanish rocker Jairo Zavala brings his signature bravado to “Cumbia Peninsula.” By working with friends and recurring collaborators, Calexico also highlights the unique social and linguistic intersections at the US-Mexico border and the magnificent possibilities of a borderless world. “The album is trying to convey openness,” adds Burns. “Look around you. If you're in the North, you need a South to live in balance. We're all breathing together.”

“There is romance in this music,” says Convertino, Calexico's drummer and fellow co-founder. “When I was driving out to Tucson to work with Sergio and Joey, I didn't have any specific song ideas in mind. I was searching for a vibe and a mood.” The instrumental “Turquoise” perfectly captures El Mirador's atmospheric universe, where swirling rhythm guitars and distant horns recall dark, heavy skies, almost echoing the record-setting monsoon season that engulfed Arizona during their studio sessions.

Burns and Convertino have been performing together for over 30 years, sharing a deep love of jazz and usually building songs on a foundation of bass and drums. But all these years later, Calexico is still breaking new ground. El Mirador showcases a sunnier side of the band, cutting through two years of pandemic fog with a blast of danceable optimism. Writing and recording alongside Sergio Mendoza (keys, accordion, percussion), the album expands on long running influences of cumbia, mariachi and the plethora of diaspora sounds flourishing throughout the Southwest.

“I've been playing with Calexico for about 15 years, and I admire Joey and John's constant search for new sounds,” reflects Mendoza, who’s newly built home studio became a refuge for the band and reduced pandemic risks while fostering a more organic creative process. “After so many albums,” he adds, “I'm really proud we were able to achieve something so fresh together.”

Mendoza was born and raised in Nogales, where he soaked up the classic cumbias, rancheras and corridos that soundtrack daily life at the border. This rich melange of influences translates into the effervescent “The El Burro Song,” complete with mariachi strings, slide guitars and zapateado performance that transports the listener to a papel picado-decorated backyard party. On “Liberada,” piano and Cuban percussion provide an exuberant canvas for a universal tale of resilience, where even in the face of adversity, celebrating your uncle's 80th birthday always comes first. Calexico delivers one of their most loving desert anthems on “Cumbia del Polvo,” enlisting a production assist from frequent collaborator Camilo Lara, who infuses the song with his signature wizardry of electronic beats, organic instrumentation and otherworldly backing vocals. El Mirador's all-star guest list is rounded out by poet Pieta Brown, who wrote “El Paso” and “Then You Might See,” as well as Iron & Wine's Sam Beam, who provides backing vocals on the fluttering choruses of “Harness The Wind.”

El Mirador stands both as a lookout point and beacon in the dark; an opportunity to search inwards, ponder our connections to the Earth and its people, and hopefully illuminate a path forward. After decades on the road Calexico's music remains boundless and romantic, still gazing upon the horizon in search of their next adventure.

Levitt’s Free Summer Series
Friday, June 10th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 12th at 10am

Steep Canyon Rangers

Steep Canyon Rangers are Asheville, North Carolina’s GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin.

Steep Canyon Rangers re-signed with Yep Roc Records in 2019. “It feels like coming home,” says Sharp of the partnership. “The Yep Roc family was among the first to welcome Steep Canyon Rangers when we were just pups. As we’ve grown, so have they. We’re incredibly excited for the future and all the music it holds.”

Steep Canyon Rangers released three albums in 2020, all on Yep Roc Records. The Grammy-Nominated North Carolina Songbook is a recording of their live 2019 performance at Merlefest in Wilkesboro, NC, in which they performed a selection of songs by North Carolina songwriters (Ola Belle Reed, Doc Watson, James Taylor, Ben E. King, and others). Be Still Moses — perhaps their most singular musical partnership to date – has the band teaming with Philadelphia soul legends Boyz II Men and their hometown Asheville Symphony to completely overhaul the Rangers’ original “Be Still Moses,” which was first recorded on their 2007 breakout album Lovin’ Pretty Women. The album includes re-imagined versions of Steep Canyon’s previously released original songs performed with an orchestra. Their most recent release of all original music, Arm In Arm came out in October.

‘Every song on Arm in Arm captures the North Carolina group’s innovative spirit, weaving in jazz, gospel, folk, and even rock phrases, creating an intimate and intricate sound that challenges, cajoles, and comforts.’ -No Depression

The Rangers are made up of Woody Platt on guitar and vocals, Graham Sharp on banjo and vocals, Mike Guggino on mandolin/mandola and vocals, Nicky Sanders on fiddle and vocals, Mike Ashworth on drums and vocals, and Barrett Smith on bass and vocals.

Steep Canyon Rangers have been on a journey that is uniquely their own. The band started in college at UNC-Chapel Hill, then dove head first into bluegrass in its most traditional form, and over the years have risen to the top of the bluegrass genre headlining top festivals such as Merlefest and Grey Fox Bluegrass. Only to then be discovered by Steve Martin, famous actor and banjo player. Martin has taken the Rangers on a nearly decade long tour introducing them to hundreds of thousands of new fans and giving them prime time TV exposure. This has helped SCR become the most recognizable modern name in bluegrass music. The band has continued to tour extensively on their own, without Martin, and have expanded their genre into country and Americana with the addition of a drummer, alongside an incredibly versatile bassist – to accompany the original core band. The Rangers are big players in the bluegrass/country and Americana scene today. They are often compared to predecessors The Band, Nitty Gritty Dirt Band, and the modern Zac Brown Band.

Levitt’s Free Summer Series
Thursday June 9th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 12th at 10am

Levitt’s Free Summer Series
Sunday June 5th, 2022
All Ages | Rain or Shine
GA Doors Open: 4:00 PM | Show Start: 5:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 5th at 10am

Alex Cuba

His sugarcane-sweet melodies, pop-soul hooks and powerful guitar riffs, relinquish a conventional stereotype that exemplifies much of the Latin music landscape.

Born Alexis Puentes in Artemisa, Cuba, was immersed in music at a very young age, joining his father’s (respected guitarist and teacher Valentin Puentes) group of 24 guitarists.

Alex then went on to study electric and upright bass and touring and recording nationally and internationally. In 1999, Alex moved to Victoria, B.C where he recorded an album titled Morumba Cubana alongside his twin brother Adonis, as The Puentes Brothers.

Alex then went on to record his solo debut album Humo De Tobaco in which earned him a Juno award for World Music Album of the Year in 2006. In 2007, Alex released Agua Del Pozo which also earned him another Juno award for World Music Album of the Year in 2008.

From there, Alex released his third album, a self-titled project Alex Cuba in 2009.
The album features his first ever English track titled “If You Give Me Love”. The album gained recognition on an international level. In 2010, Alex took home the award for Best New Artist at the 2010 Latin Grammy Awards, where it was also nominated for Best Male Pop Vocal Album. It also followed a nominated for Best Latin Pop Album at the 53rd Annual Grammy Awards and in 2011

Alex took home a BMI Latin Award for his songwriting on Nelly Furtado’s #1 Spanish hit “Manos Al Aire”. In 2012, Alex released his fourth album Ruido En El Sistema, which Alex received his second Socan Hagood Hardy Award for outstanding achievement in Jazz and World Music.

He also won his second Latin Grammy Award – this time as a songwriter, alongside co-writer Yoel Henriquez received the award for Best Tropical Song for the Milly Quezada’s single, “Toma Mi Vida”. In 2013, he again brought home a Latin Grammy for the video “Eres Tu“ from Ruido En El Sistema, a video produced entirely in his hometown of Smithers.

Alex Cuba’s 5th studio album, Healer, was recorded in New York, USA and Victoria, Canada, using a live rhythm section, trading in horns for guitars and vocal harmonies. With five duets with singer songwriters, four being Canadian, Ron Sexsmith, David Myles, Alejandra Ribera and Kuba Oms as well as New Yorker Anya Marina, it is an upbeat, acoustic soul album full of optimism and reality as Alex always has a silver lining on melancholy of any form.

The album won a Latin Grammy for best Singer-songwriter and nominated for a Grammy as best Latin Pop in 2016.
In 2017, Alex completed his 6th album Lo Unico Constante, beginning in Spain and passing through Montreal to record a single with Jean Massicotte.

Then meeting up with the rhythm section from Healer in Baker Studios to record and mix 12 songs that delve deeper into Alex’s songwriting roots, focusing on nylon string guitar and upright bass. Looking at the “filin” movement in Cuba of the forties that fused jazz and trova together with emotional but not sad lyrical content.

Music that influenced his writing style to this day. The album was nominated for both a Latin Grammy for Best Singer-Songwriter and Grammy for Best Latin Pop.

In 2019 Alex Cuba embarked on his first ever self produced collection of songs featuring 5 collaborations, this time with Latin American singer songwriters, recorded in Gibsons BC with John “Beetle” Bailey and mixed at John’s Drive Shed studio in Ontario. The album received a Latin Grammy Nomination and performance at the televised Award Show in Miami November 2020.

2021 has Alex recording at home and adding recording engineer to his credits as musician, singer-songwriter, producer. From the healing voice of Grammy Award winning Lila Downs on “Mundo Nuevo”, to his colourful collaboration with world-renowned flamenco artist, Antonio Carmona, and commissioning a 13-piece horn band from his native country of Cuba, Alex’s vibrant eighth studio album, Mendó, is filled with international collaborations.

The artwork for the album marks another international project, created by an artist in Trinidad and Tobago, Brianna McCarthy, who caught Cuba’s eye when he noticed her work on the cover of a book and was drawn to “her unique interpretation of the African diaspora”.

His musical evolution for years was all about searching for the simplicity and soul in Cuban music – taking apart the complex arrangements, mixing it with North American influences, adopting the melodic simplicity of pop music, looking to Cuban folk traditions for inspiration – he’s always exploring, always creating something fresh and new, and always, it seems, getting it just right.

Levitt’s Free Summer Series
Friday June 3rd, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 5th at 10am

Mark Farina

Mark Farina has solidified himself in the world of Dance Music as a trailblazing DJ, Producer, tastemaker and bona fide House Music icon. After 3 decades crisscrossing the globe, he shows no signs of slowing down remaining innovative, humble, and firmly rooted in the underground.

“I look at my job as a ‘modern day traveling minstrel’ bringing new music to as many places as I can and exposing audiences to obscure records that otherwise might go hidden.”

As an early House Music pioneer in the late 80’s, Farina’s history includes an impressive long standing residency at Smart Bar Chicago and a job at the legendary Gramaphone Records. In the 90s, Mark pushed musical boundaries and blended hip hop with downtempo grooves to create an entirely new genre, “Mushroom Jazz”. Eventually, Mark made San Francisco his home as his legendary DJ sets sparked a con- stant demand in clubs and festivals across the US. The Bay Area proved to be a perfect match for Mark’s musical vision and he released a string of major mix compilations including his Mushroom Jazz series. With a tireless passion for playing extended sets, B2B shows with fellow House Music icons, or playing both of his signature styles on 2 stages on the same night, Farina continues to entertain his incredible fans all over the globe with over 100 shows per year.

Levitt’s Free Summer Series
Thursday, June 2nd, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens May 5th at 10am

Ruthie Foster

In the tightknit musical community of Austin, Texas, it’s tough to get away with posturing. You either bring it, or you don’t.

If you do, word gets around. And one day, you find yourself duetting with Bonnie Raitt, or standing onstage with the Allman Brothers at New York’s Beacon Theater and trading verses with Susan Tedeschi. You might even wind up getting nominated for a Best Blues Album Grammy — four times. And those nominations would be in addition to your seven Blues Music Awards, three Austin Music Awards, the Grand Prix du Disque award from the Académie Charles-Cros in France, a Living Blues Critics’ Award for Female Blues Artist of the Year, and the title of an “inspiring American Artist” as a United States Artists 2018 Fellow.

There’s only one Austinite with that résumé: Ruthie Foster. The small rural town of Gause, TX had no chance of keeping the vocal powerhouse known as Ruthie Foster to itself. Described by Rolling Stone as “pure magic to watch and hear,” her vocal talent was elevated in worship services at her community church. Drawing influence from legendary acts like Mavis Staples and Aretha Franklin, Foster developed a unique sound unable to be contained within a single genre. That uniqueness echoes a common theme in Ruthie’s life and career - marching to the beat of her own drum.

Joining the Navy was one way for Ruthie to stake out her own path. It was during her time singing for the Navy band Pride that her love for performing became apparent. After leaving the service, Ruthie signed a development deal with Atlantic Records and moved to New York City to pursue a career as a professional musician.

A deal with a major label would seem to be a dream come true for a budding artist. But the label wanted Ruthie to hand over her authenticity in exchange for being molded into a pop star. In another bold move, she walked away from the deal and returned to her roots, moving back to the Lone Star State.

Returning to Texas, Ruthie solidified her place as an up-and-coming singer/songwriter and began a musical partnership with Blue Corn Music. Her studio albums for the label began with "Runaway Soul" in 2002, followed by "The Phenomenal Ruthie Foster" in 2007, "The Truth According to Ruthie Foster" in 2009, "Let It Burn" in 2012, "Promise of a Brand New Day" in 2014 and "Joy Comes Back" in 2017. Her live shows, which she has referred to as a “hallelujah time,” have been documented on the album “Stages" in 2004 and the CD/DVD release “Ruthie Foster Live at Antone’s" in 2011.

Ruthie’s latest Grammy nominated album "Live at the Paramount", released on May 15, 2020, swings back to the days (and nights) when Lady Ella sang Ellington and Sinatra blasted off with Count Basie and Quincy Jones. Recorded on the night of January 26, 2019 on the 105-year-old stage of Austin’s grand-dame Paramount Theater, it features the Ruthie Foster Big Band: a guitarist, keyboardist, bassist and drummer, plus 10 horn players, three backing vocalists and one conductor. As Ruthie wraps her oh-so-malleable, impeccably nuanced voice around each song, the wisdom of her selections, the strength of each arrangement, their near-seamless flow and the outstanding talent of her band converge into yet another reminder that Foster’s artistry really is in a league of its own.

Levitt’s Free Summer Series
Saturday May 28th, 2022
All Ages | Rain or Shine
GA Doors Open: 4:00 PM | Show Start: 5:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens April 28th at 10am

The Polish Ambassador

Musician. Producer. Beatsmith. Recording artist. Composer. Dance-floor general. Label-head. A mystery man of many hats, The Polish Ambassador rocks more than just a trademark jumpsuit, authoring sublime, intentional artistic works, animated safaris in technicolor sound.  At first breath, The Polish Ambassador was an experiment, David Sugalski’s sound-art passion project that came to life. An inventive, imaginary character born of humble, humorous beginnings, he found his first audiences through the support of primitive digital radio stations. Today, TPA is among the premier EDM/live crossover artists in the country with millions of listeners around the world; he’s consistently in-demand at the live music-focused gatherings and boutique electronic festivals from coast to coast. Founder of independent label Jumpsuit Records, an environmentalist and early progenitor of the permaculture action movement, the world’s funkiest diplomat is here to party with a purpose.  

Since 2006, The Polish Ambassador has consistently released critically-acclaimed full-length albums on Jumpsuit Records, alongside a dizzying number of side-projects and multi-form collaborations. All the while launching the careers of a diverse smattering of artists that run the gamut in geography and genre. TPA continues to spread his wings in teaming up with eclectic musicians from around the world, including Matisyahu, Nitty Scott, Zion I, The Grouch, Mr. Lif, and dozens of others. He is one-half of the celebrated folktronica project Wildlight, a duo in which he pairs with ethereal songstress Ayla Nereo. 

The Polish Ambassador’s prolific output incorporates many styles, from exuberant global-house to fatback mid-tempo funk, you’ll pick up on West African percussion alongside stirring Kirtan melodies, a psychedelic sax solo or a fresh verse from a Brooklyn female emcee. TPA employs live horns, keyboards, guitars, violins, and a bevy of talented instrumentalists on stage. “The Jumpsuited One” has headlined iconic venues like Red Rocks Amphitheatre in Morrison, Colorado, and the renowned counter-culture gathering Oregon Country Fair. Suwannee Hulaween, Electric Forest, Envision Festival, and Lightning in a Bottle and other national festivals have each repeatedly invited TPA back across different years. 

In alignment with TPA’s artistic ethos is a low-key lifestyle that places a premium on being present, living in harmony with nature, participating in community and inspiring it to thrive. Offstage, David Sugalski instigated a village-building convergence in his hometown in Northern California, and manages his own 25-acre homestead in the picture-Esque, rolling Sierra Nevada foothills. The farmer/carpenter lives modestly in a cabin he built on his land of the lush; TPA music is created in a solar-powered recording studio on the property. When he removes the famed bright blue-and-yellow 80’s jumpsuit and reverts back to his humanoid self, Sugalski is an avid solo bicyclist who enjoys venturing up California’s breathtaking coastal Highway 1; he’s a dedicated van-adventurer, having built out an exquisite tiny home inside a contractors van.  

Sugalski plans his TPA tours for minimum carbon footprint, he advocates for healthy-beverage alternatives at music venues. Jumpsuit Records has donated tens of thousands of dollars to various non-profit organizations and charities; a portion of the label split goes to supporting non-profits voted on by fans. TPA’s awareness-in-action coalesces with numerous non-profit endeavors, including Jumpsuit Records, own 501(c) certified organization ActionDays.us. TPA decided to eliminate the merchandise from his business model, in order to facilitate a fan-operated buy-and-sell marketplace. The Polish Ambassador has evolved exponentially, from an art project to a vibration; a joyful community that thrives on the dancefloor and finds freedom, connection, and collective oneness through this music.

Levitt’s Free Summer Series
Friday May 27th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens April 28th at 10am

Gasoline Lollipops

Gasoline Lollipops stitch scraps of American roots music to patches of their own tattered hearts to form an all-new tapestry of bleeding rock n’ roll. Front man, Clay Rose was raised between an outlaw, truck-driving father in the mountains of Colorado and a country song-writing mama in the sticks outside of Nashville, Tennessee. Clay’s penchant for open roads and trouble making are the backbone of the Gas Pops’ sound. 

The rest of the band consists of Don Ambory, Scott Coulter, “Bad” Brad Morse, and Kevin Matthews who all come equipped with music degrees from Chicago, Boston, Jacksonville, and Denver, respectively. They each add flavors of their own background and heritage, further diversifying the band’s signature sound.

​Gasoline Lollipops are two-time winners of 105.5 The Colorado Sound’s Best Colorado Band award, three-time winners of Colorado Daily’s “Best Local Band” award, and two-time winners of Denver Westword’s “Best Country Band” award. Over the last four years, they have toured throughout the U.S., Belgium, the Netherlands, and Belize. In 2018 they made Billboard’s top 10 Spotify chart, as well as Pandora’s top 10 Trend Setters list. Today, the Gas Pops continue to bend genres and electrify live audiences with ferocious sincerity. 

Jimbo Darville & the Truckadours

While the Truckadours' music is originally derived from truckin' roots of "raw" ol' time country and bluegrassy songs along with the outlaw sounds of the 70's & 80's, they have certainly taken it to a whole different level! Jimbo Darville & the Truckadours are truly one of very few bands (if not the only one) that write and play "subject specific" music versus "genre specific" songs/styles. In other words, they encompass a variety of musical flavors while maintaining a constant thread and theme...TRUCK DRIVIN'! That's not to suggest that they roll out an eclectic mish-mash of tunes... it all certainly ties together as they're pickin' & grinnin' about the trials and tribulations of a driver, his rig, truckstops & cafes, smokey bears, & women across the land! They certainly center off more traditional grass-roots sound with original songs like Highway is My Home and Thank God for this C.B., and also encompass a grittier outlaw sound with Anything Leavin' Town and Truck Drivin' Son-of-a-Gun. But their rock backgrounds really shine with originals like Toll Booth Blues and Bad Ride Suicide. If you can't find a Truckadour song you like, then you just ain't 'merican!!!

Levitt’s Free Summer Series
Thursday May 26th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

Free RSVP Opens April 28th at 10am

Los Amigos Invisibles

Julio Briceño, “Chulius” (Voz)
Juan Manuel Roura, “Mamel” (Batería)
José Torres, “Catire” (Bajo)

The band´s name comes from the television show “Human Values” by Venezuelan historian Arturo Uslar Pietri, which remained in the air for two decades, where he always dedicated the show to his “Invisible Friends” refering to the audience.

His record debut came in 1995 with the release of “A Typical and Autoctonal Venezuelan Dance Band”. Little by little, the band consolidated its local fame by staying on tour until 1996.

It is in this year that David Byrne, while shopping at a record store in New York, accidentally finds one of the copies left by Los Amigos on consignment and immediately begins the process of conversations that led to signing them for his record label “Luaka Bop”. After months of conversations, pre-production and production, in 1998 they released their first album for the label of the former Talking Heads, “The New Sound of the Venezuelan Gozadera”, produced by Andrés Levín, which had hits like “Ponerte en Cuatro”, “Sexy” and “Disco Anal”.

Two years later the band moves to the city of San Francisco for 2 months to record their next album and it is at this time that the band is considering the possibility of moving permanently to the United States to continue their career.

At the end of 2000 they put on sale their third album “Arepa 3000: A Venezuelan Journey Into Space” produced by Phillip Steir which is nominated for a Grammy Award and a Latin Grammy. Of this disc they leave subjects like “Cuchi Cuchi” and “The Neighbor”.

After almost a year of planning, the band decided to move to New York City on January 23, 2001. During their first year in the city, Los Amigos began a friendly and working relationship with the legends of the dance world “Masters At Work” which leads them to enter the studio in early 2002 to record what would be their fourth album.

“The Venezuelan Zinga Son, Vol. 1” produced by Masters At Work, is published in Venezuela in 2003 and in the United States in 2004 and that same year they are nominated for a Latin Grammy in the category of Best Alternative Latin Album. Being their most mature album according to the criterion of many fans, Los Amigos achieve an impeccable and unique sound and include songs of more than 8 minutes with long instrumental sections, remembering the great recordings that were made in the 70s and 80s.

In 2006, Los Amigos Invisibles ended their contract with the Luaka Bop label and independently edited their album “Superpop Venezuela”. This album is a collection of Venezuelan songs from the 60s, 70s and 80s. This album is nominated for a Grammy in the category “Best Latin Rock, Alternative or Urban Album”. This would be their 2nd nomination to the American Grammys.

In 2008 they released their first album and live DVD called “En una noche tan linda como esta” and began the process of recording their 6th studio album.

“Comercial” (Eng: “Commercial”) goes on sale in 2009 and Los Amigos Invisibles is nominated for its 3rd Latin Grammy. On Thursday, November 5, at a ceremony held in the city of Las Vegas, Los Amigos Invisibles win their first Latin Grammy.

“Repeat After Me”, their 7th studio album, released in 2013. It earned the band the Latin Grammy nominations for Best Latin / Alternative Rock Album and for Best Packaging Design.

In 2015 fans of Los Amigos Invisibles enjoyed a CD/DVD recorded in Mexico City that included versions of their greatest hits in bolero, reggae, bossa nova, cha cha chá and other rhythms. To achieve this concept, the Venezuelan band used new instruments and invited important musicians from the Latin American music scene to participate. Natalia Lafourcade, Alex Syntek, Jay de la Cueva (Moderatto), Venezuelan Mariana Vega, Gil Cerezo (Kinky), a Brazilian percussion group and a string quartet. Los Amigos Invisibles closed 2015 with more than 50 concerts in 10 different countries.

In 2016, accompanied by artists of the likes of Carlos Vives, Santiago Cruz, Franco de Vita, Kany Garcia and Ricardo Montaner, Los Amigos Invisibles lead a record production directed by Sony US/Latin to honor one of the greats of music: Yordano Los Amigos Invisibles lead this record material entitled “El Tren de los Regresos”.

On October 14, 2016 Los Amigos Invisibles published on all the platforms “Dame El Mambo”, the first single from their most recent album “El Paradise”, which came to light at the beginning of 2017. A cocktail of great international producers with surprising collaborations. Currently Los Amigos Invisibles continue their international tour while promoting “Espérame” feat. Elastic Bond, the third single from “The Paradise”. Earlier in 2018 “El Paradise” was nominated for the Best Latin Rock, Urbano r Alternative Album Grammy.

Levitt’s Free Summer Series
Friday May 20th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

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Black Uhuru

For over 50 years Black Uhuru has remained one of the most popular recognized prolific reggae band from Jamaica. The living legends have earned several achievements in the music industry including winning the first ever Grammy Award for reggae music. They’re long success along with having the highest reggae record sales after Bob Marley & the most songs sampled by other artist over the years has allowed them to become Ambassadors of reggae. 

The roots of Black Uhuru formed in Kingston’s “Waterhouse” District in the late 60’s. It is the home of founder & leader Derrick “Duckie” Simpson along with all the rest of the singers from the group. The original Uhuru’s Swahili for “freedom” were Duckie, Don Carlos & Garth Dennis. The first song was a Curtis Mayfield cover of “Folk Song”. They made only a couple more songs before Don left to pursue a solo career & Garth joined Wailing Souls. The two were replaced by Michael Rose & Errol Nelson both from Waterhouse. They recorded the debut album “Love Crises” in 1977 for Prince Jammy later re-released as “Black Sounds of Freedom”. Errol later left the group to join the Jays & was replaced by female singer Puma Jones. 

This new line-up is when the band began to collaborate with Sly & Robbie & developed the “classic Uhuru” sound of the 80’s. A unique style full of heavy drum & bass, sharp keys, loud guitar riffs & long instrumentals filled with whirly background effects & the signature “wow oh-oh oh’s” echo. It was during this period they signed with Island Records. They began touring internationally & started receiving worldwide attention. They recorded some of their most popular albums like “Guess Who’s Coming To Dinner” “Sensimelia” & “Chill Out”. The album “Red” was voted #23 for Rolling Stone Magazine list of 100 greatest albums of the 80’s. And history was made when they won reggae’s first grammy award in 1984 for the album “Anthem”. Shortly after the grammy Michael left the group to go solo. 

Another Waterhouse resident named Junior Reid became the new lead singer. Two albums were released “Brutal” nominated for grammy & “Positive” with Ras Records. These albums included popular hits like “Dreadlocks on the Mountain” “Fit You Haffi Fit” & one of the groups first music videos “Great Train Robbery”. Sadly due to ill health Puma passed away in 1990. Around this time Jr. Reid was having visa issues unable to tour. 

During the mid 90’s the original members reunited. Four albums were released “Now”, “Iron”, Storm”, “Mystical Truth” & “Strongg” all nominated for grammy. They made an award-winning music video for “Tip of the Iceberg” that featured rap star Ice-T & another video for “One Love” featuring Louie Rankin. They performed live on television for VH1 a cover version of Jimmy Hendrix “Hey Joe”. In 1994 they won the Diamonds Awards for Excellence. Unfortunately, the group began to dispute over band legal rights & went to court in the late 90’s. Duckie won the rights to the name. 

As the new millennium approached Duckie found Andrew Bee’s once again from Waterhouse. Bee’s first tour with the band was in 1996 in Brazil. They released two albums “Unification” in 1998 & “Dynasty” in 2001. In 2002 they reunited with Sly & Robbie for an international world tour & released a live album/dvd “Dubbin it Live”. The group resurfaced in 2010 & has been touring extensively throughout Europe, South America & the United States. In 2012 they performed in a Broadway musical in Los Angeles called “Loving the Silent Tears”. In 2013 Duckie was awarded a lifetime achievement award from the IRWMA. In 2017 they released a new single & music video “Jah Guide” a Peter Tosh tribute that featured Bugle.

In 2018 Black Uhuru released a longly waited album “As The World Turns”. The newest album after 15 years it was nominated for “Best Reggae Album” at the 61st Grammy Awards. For the first time it featured Duckie on lead for the entire album. To support the album the band headed on a major US Tour & Hawaii. During the East Coast leg of the tour they appeared live on NPR’s Tiny Desk Concert series where they performed a new single “I See You” taken from the “Tropical House Cruises to Jamaica Reloaded” album produced by Sean Edwards of Contractor Music. Two music videos "Chalice" & "War Crime" were filmed by Benji Cooper for the album both featured on Reggaeville. 

During 2019 when Duckie came back to the States for the Grammy award ceremony he went back up to Nor-Cal where he started recording a new album project with Dylan's Dharma & King Hopeton. Right before the pandemic Black Uhuru & Dylan's Dharma went on a small West Coast Tour with Etana & played the One Love Festival in Long Beach. Since the "lock-down" the band has been laying low back home most of 2020. Duckie did one live stream peformance for Kumar's Kulture Walk St. Bess series during reggae month. 

Just recentley in 2021 Black Uhuru released a new single "Jamaica to Here" partnering with So-Cal indepedent label Law Records & Dogranch Music PR. Produced by King Hopeton at his Double Lion Studio in Helltown California the track was mixed by Shaquille "Skunga" Kong, "Med Dread" & Mark "Jah Servant" Giles with Dylan Seid, Dharma LaRocca & Kopavi Cannonn as Executive Producers.

The up-coming album titled "New Day" is scheduled to be releaesd early next year 2022...!

Selasee & the Fafa Family

Selasee & The Fafa Family was formed by Selasee Atiase in 2007. Originally from Ghana, Selasee  focuses on reggae/world music made up of  some highlife music and what he describes as easy listening reggae music that draws in even people who are not fans of reggae music as well as some pop influences. 

Born in Accra, Ghana, Selasee grew up exposed to the colorful and energetic sounds of highlife music as well as reggae, funk, R&B and pop influences. With this exposure Selasee created his own niche—a unique blend of  easy listening Reggae music, West African Highlife and some Pop music influences, threading together English and Ghanaian lyrics for a bright and captivating sound.

Selasee recorded his debut album “Run” on Running Dreams Records released in 2006.That same year the title track “Run” won first place in the World Music genre of the International Song Writers Competition. The Tracks “Run” and “Makuma” were also featured in the 2006 FIFA Soccer and 2007 Cricket video games by EA Sports. He released his second album “African Gate” in 2010. Selasee & The Fafa Family is his current band name. In 2014 he released his third album on which features Anthony B and Auston Family man Barrett. Selasee is currently working on his 4th album schedule to be released fall of 2022.

On the touring circuit, Selasee has shared the stage with  several reggae legends including Steel Pulse, The Wailers, Third World, The Mighty Diamonds, Don Carlos, Barrington Levy, King Yellowman, The Melodians and Anthony Julian Marley Taurus Riley,Toots & The Maytals, Beenie Man and Black Uhuru.

Dylans Dharma

Levitt’s Free Summer Series
Friday May 13th, 2022
All Ages | Rain or Shine
GA Doors Open: 6:00 PM | Show Start: 7:00 PM

Limited Molly’s Spirits VIP Lounge Tickets

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Son Rompe Pera

“From the outskirts of Mexico City, Son Rompe Pera’s unique fusion of classic cumbia rhythms with garage-band-punk makes for a carefree live show. One that encourages you to break all the rules of traditional dance to just move whichever way your body feels. While the traditional marimba instrument keeps the music rooted in the classic cumbia rhythm, the vocals take twists and turns as rebellious as punk music itself, and the result is something truly unique and fun. One thing is certain with this band – they’ve already broken all the rules themselves, so the only thing left to do is let your hair loose and dance whichever way the music takes you!” - TIGRESOUNDS

“The Gama brothers-led group’s debut single…replaces the Colombian accordion with the lively marimba for a more popular built-up feel in contrast with their garage/punk approach.” - BILLBOARD  

“The group’s sound is unlike any punk band you’ve ever heard before, and that only serves as a testament to how genuine the group’s commitment to punk is. After all, if punk is more about attitude than conforming to a single specific style, Kacho and Mongo unquestionably have it in spades as they draw on modern cumbia and garage rock in their interpretations of traditional and popular songs and styles from Mexico, Peru, Colombia, and beyond.” - POPMATTERS

Mexico City’s Son Rompe Pera began performing at local events alongside their father when they were kids, accompanying him on the traditional Mexican marimba. Today, they are at the forefront of the contemporary international cumbia scene, as they take what they learned in their youth to new heights and push the marimba to its limits. Their absolutely unique blend of sounds comes as the result of a typical youthful rebellion, when as teenagers they left behind their marimba upbringing and began to play in various punk and psychobilly bands. Now they´ve come full circle, incorporating the marimba together with their rock influences, giving it a new twist never before seen.

The live shows of this garage-cumbia-marimba-punk band (the only band of its kind in the world) never disappoint, and always manage to fill the dance floor with a sweaty mess of dancing fans. Their authenticity shines through as they give their modern interpretations of Mexican, Peruvian, and Colombian classics, as well as their own original material and some surprise covers. The contrast of the traditional marimba with their youthful attitude and street sense connects the audience to the past while they dance into the future. They have toured the United States twice with such luminaries as PANTEON ROCOCO and are slated for many international festivals in the coming year.

The band released their debut LP in March 2020 on the international cult label AYA Records (subsidiary of the legendary electro-cumbia label ZZK Records) right as the Covid-19 pandemic hit, making it impossible to tour behind what many have called one of the best records of last year.  Their last live show was at the iconic Vive Latino Festival in Mexico City, where they performed alongside the Chilean cumbia superstars Chico Trujillo (whose lead singer produced their album), and then of course their tours in the US, Europe, and Mexico were all cancelled.  But the global lockdown didn’t stop them from growing their fanbase, as they were present in virtual events like Mole de Mayo in Chicago and the World Music Institute´s end-of-year celebration, as well as online festivals in Ecuador, Italy, Chile, Mexico, and Colombia.  

With their name growing bit by bit, they were invited to do an “at home” session of Live on KEXP, the ultra-viral live performances from the prestigious Seattle radio station, as well as being selected as an official band at the 2020 WOMEX international music conference.